Thuvia, Maid of Mars

On April 12, 2008, I recorded and uploaded the first chapter of Thuvia, Maid of Mars by Edgar Rice Burroughs. When I claimed the project on the LibriVox forums, I set a goal of recording one chapter every two weeks, in order to complete the recordings by the end of October. Life got in my way, as it tends to do, and by the end of October I had just finished recording chapter 09. It needed to be re-recorded, and I didn't get that finished until early December.

But now it's done! Thuvia, Maid of Mars, by Edgar Rice Burroughs is my first successfully completed solo project at LibriVox. I'm delighted that I've completed it, and I hope you enjoy listening to it!

I knew it was going to be an arduous task, but I must admit that it was more taxing than I expected. I've often been told that I have a nice voice, but it takes a lot more than that to successfully narrate something like this. I've changed recording equipment several times. I've tinkered and twiddled with settings and options in Audacity. I've recorded and re-recorded and re-re-recorded the same chapters several times as I learn more about how to properly create an audiobook.

The most helpful thing, though, has been listening to other audiobooks and podcasts. In the first couple chapters of my recording, I was very conscious to read in a deliberate, slow way. I have a tendency to speak very fast when I get excited, and some of the sequences of the story are fairly action-oriented. I didn't want to spoil a listener's enjoyment by rushing through the narration. An unintended consequence of this deliberate narration is that I sound (to my ears, anyway) somewhat stiff, and lifeless. That changed in the latter half of my recordings, though, specifically because of several audiobooks I listened to.

Most notably I listened to The Talisman, a story by Stephen King and Peter Straub, and read aloud by Frank Muller. Mr. Muller's narration was superb, and he really brought the characters to life. I envied how well he could put emotion and feeling into his voice. I also really enjoyed his sense of tempo. He would read faster those sections of the story that were tense or action-packed, making me have a very visceral response as a listener. It wasn't a mechanical reading, but rather one filled with feeling. I had to practice, and re-record a few sections more than once, but I think I did an acceptable job breathing a little more life into the later chapters of my recordings.

I've also been listening to stories by Scott Sigler. I listened to both Earthcore and Ancestor a long time ago, and just recently completed Infected and started Contagious. Mr. Sigler goes all out when he reads his stories, and I've always enjoyed how enthusiastic his recordings are. He gives each character a specific voice, and keeps those voices clearly defined throughout the entire story. I found it very difficult to get specific voices to "stick" to the characters in the story I read, and worry that I might cause confusion by inadvertently re-using the same voice for multiple characters. For any future recordings I do, I'll definitely need to find a better way to give voices to the characters.

All in all, it's really been a lot of fun to record Thuvia, Maid of Mars. I've really enjoyed listening to the other Barsoom stories available on LibriVox, and I'm glad that I can add to the collection. I hope that my recording is a satisfactory compliment to the existing works.

Now I plan to keep an eye on the Readers Wanted sections of the LibriVox forums, to see if another project catches my fancy. Any recommendations?

Self Serving

Those folks following my Twitter stream know that I've been recording chapters of Thuvia, Maid of Mars by Edgar Rice Burroughs for the LibriVox project. I've thoroughly enjoyed listening to works produced by LibriVox and decided that it was high time that I contribute something back for others to (hopefully!) enjoy. People have often remarked to me over the years that I have a good voice, so I'm glad to be able to finally put it to some use.

It's been fun recording, and the twins have both expressed an interest in trying their hand. Tayler learned pretty quickly that it's substantially harder than she anticipated, but hopefully she hasn't given up entirely on the idea: I'd love to have both of them record something for submission to LibriVox!

It's also been a lot of fun getting into the LibriVox community. I'm only taking baby steps, keeping in mind my limited free time, but I'm looking forward to participating more in the future, and also to recording more books. I intend to read The Chessmen of Mars as soon as I finish this current project.

All recordings submitted to LibriVox are in the public domain. This means that anyone, anywhere, can take my work and use it for pretty much any purpose. This sometimes causes consternation to some folks in the forums, as they seek to protect their work from creating financial gain for someone else. This doesn't bother me at all; in fact, I'm happy to contribute something to the body of public domain works. If my narrations provide a useful foundation to someone else's cool project, that's just fine by me! I have neither the time nor talent to produce much more than these simple recordings.

I'm not a professional speaker, nor a professional voice actor (though I'm not opposed to exploring either as a long-term career!), so it does little good to me to horde the rights to my recordings. If someone can use my recordings to provide narration to a movie they produce, for example, that's cool! Something better than either of us could have made on our own is now available for the world to enjoy! If someone wants to use my recordings as part of a mashup, I say go for it! I am 100% okay with people using my works as a springboard to something better.

In a similar vein, I release (almost) all of my photos on Flickr under a liberal CreativeCommons license, specifically permitting folks to use my photos in derivative works. The only stipulations I enforce are that you must credit me as the creator of the original photo and that you must make your derivative work available to others for modification in the same way that I made my photo available to you. (You may contact me privately to negotiate a specific license if you'd like to use my photos without being bound by these requirements.) Over the years, I've been approached by several people asking for permission to use my photos in small projects. One fellow wanted to use a photo for a holiday greeting card for a client of his; another woman wanted to use one of my photos as part of the cover illustration for a sci-fi romance novel she was writing. Several folks have used my photos on their websites -- including a Yahoo! news page. I think this is all perfectly wonderful: I'm not a professional photographer, so it does me no good to horde the rights to my photos. By making them available under a CC license, I make my photos available for others to use in creative, often useful ways. Schmap is using several of my photos in their map products, for example. This is a tremendous example of the benefit of CC licensing: I get photo credit for the photos I took, and tourists get the benefit of my photos in these maps to provide real-world photos of historical places. Schmap gets to focus on producing quality original content without worrying about exorbitant photo licensing fees. Everyone wins!

Another benefit, one which is entirely unexpected, is the sheer delight I experience when I discover one of my photos being used. I was floored when I found that my photo of Henry Rollins was used on the Henry Rollins Wikipedia entry. While preparing for my presentation to middle schoolers about Ukrainian culture, I was similarly stunned to see a photo from Ann's wedding being used to illustrate the Ukranian wedding traditions entry at Wikipedia! I'm amazed that someone, somewhere, found my photos and put them to such a good use. I earnestly hope that I can continue to create and share things that prove useful to folks far outside my own limited sphere of influence.

It's really neat to me, on a personal level, to have so many of my things being used in this way. I suppose, were I so inclined, it would provide a foundation for more professional endeavours; but I'm not particularly interested in going that route any time soon. Of course, if anyone from Pixar is reading this, please do not hesitate to contact me about openings for the John Carter of Mars film(s) being produced!

It's entirely self-serving of me to release my creations under liberal (or no!) licensing: it makes me feel good.

 1

About

Brewer philosopher.

User